- #MADEA WITNESS PROTECTION CAST MOVIE#
- #MADEA WITNESS PROTECTION CAST FULL#
- #MADEA WITNESS PROTECTION CAST PLUS#
- #MADEA WITNESS PROTECTION CAST TV#
There are long stretches of time when you're not even sure what's going on and what the point of it is.
#MADEA WITNESS PROTECTION CAST MOVIE#
The movie is also far too long, 1 hour and 50 minutes is simply too long for a script that is already stretched thin as it is. Exploit that cash cow as much as you can.
#MADEA WITNESS PROTECTION CAST PLUS#
But hey, I don't get to decide that, plus there's money to be made here obviously.
#MADEA WITNESS PROTECTION CAST TV#
It doesn't bother me as much but, again, this should, by all intents and purposes, be a TV film. This would be more than fine if it were a TV film, but the fact that Tyler Perry's art is, somehow, supposed to be worthy of release in a movie theater is beyond me. I had been having a hard time trying to find the exact description for these films for a while, and this is exactly what they feel like.
#MADEA WITNESS PROTECTION CAST FULL#
I think the main problem, other than the script itself which is full of cliches and lame-ass jokes, is the fact that this feels like a TV movie for a cancelled sitcom. Sort of like The Pink Panther, in a strange and odd way. Once you've seen every Madea movie you've seen them all, and I suppose it's what like.
Perhaps if he had someone to work with, someone to bounce ideas off then maybe the films wouldn't be as, shall we say, lacking in real genuine laughs. The problem is that he's the main creative force in his films. The comedy is what Tyler Perry does best but he's also not particularly good at it either, at least as far as writing it. Again, that's not saying much since the movie still isn't any good. With that said, and I know this isn't saying much, but this is the best of the 3 Madea films I've seen. So it's surprising, to say the least, to see Tyler get rid of all the drama altogether and stick with what he does "best" and that's the comedy. Though the Jail one was considerably worse. Madea goes to Jail had some horrible drama, just fucking TERRIBLE stuff, as did Madea's Big Happy Family. He doesn't write good scripts and, it's a damn miracle quite frankly, that he didn't include a melodramatic story in this movie as well to go along with the comedy. The problem is everything that he gives his "characters" to perform. I don't think I can deny that, no matter how much I truly disliked his movies.
At least as far as as Madea and Uncle Joe goes. Those reliable numbers demonstrate that Perry has a loyal fan base, which is made up primarily of black women who turn out consistently for his movies, but which hasn’t grown in size.I'm not going to deny that Tyler Perry is a talented performer. (One exception was 2009’s “Madea Goes to Jail,” which launched with $41 million and ultimately collected $90.5 million.)
Movies starring the character - a loud-mouthed grandmother played by Perry - have all debuted with at least $25 million and typically grossed between $50 million and $60 million. Perry’s “Madea” movies have been consistent box-office performers no matter what time of the year they’ve premiered. There are plenty of examples of low-budget pictures that succeed as “counter-programming,” like the recent adult drama “The Best Exotic Marigold Hotel” and last year’s comedy smash “Bridesmaids.” The brand-name filmmaker has consistently found success during the “off season” for Hollywood’s biggest-budget pictures, typically between February and April or between September and November. The film is the 13th released by Lionsgate and written, produced, directed by and/or starring Tyler Perry, and the seventh featuring his trademark cross-dressing Madea character.īut “Witness Protection” marks a first: Never before has a Tyler Perry movie been released during the high-stakes summer movie season, which is traditionally packed with big-budget tent poles. When “Madea’s Witness Protection” opens this weekend, Hollywood observers may think they know exactly what to expect.
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